Le Petit chat est mort

“Prince, Milord, Velvet, Sissi and their masters. In the veterinary’s waiting room – clients and animals, cats and sick pigeons, suburbians and Parisians, workers and retired poeple, women of the world and sigle women. The animal encourages conversation. (…) A sacralisation of our animal friends, the film is neither sad nor dramatic, but rather a sensitive and sometimes funny portrait of the relationship we have with pets in today’s urban society.” (Gerard Patris)