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Holy Field Holy War

Lech Kowalski
2013 France 105 minutes French; Polish

Everywhere in the world, small farmers are under threat. Their struggle for survival unfolds far from the cameras and media. In Poland, a country where agriculture occupies over 60% of the territory, new actors are competing to grab the land.

Gathered in the community hall, the villagers are invited to attend a PowerPoint presentation by the director of Chevron Poland. Even though the vibrations of the drilling vehicles have already cracked house walls and dirtied the spring water, the man, flanked by a translator and the mayor, begins his presentation by assuring them that everything is under control and there is no cause for concern. The standards are being met – the proof, as his slide shows, is that Chevron has signed a “commitment”…. The clash that follows lays bare two dynamics: that of communication versus that of politics. In the first, a body agrees to be no more than a link in a chain of discourse that has no origin, no one accountable. The representation of representation of representation, a shell-body, as is said of a company: a discourse for everyone and no one, a logo-discourse (and so easy to change), radical impersonality. The second dynamic, always magnificent and triumphant even though it leads to defeat, is one that drives those who are initially spectators, but who then become actors. And, even more, a political body. This is what is being invented and built under our eyes, through the words that link one body to another, one existence to another, and which transform individuals formerly condemned to submission into the agents of a collective history.

Raphaël Nieuwjaer, Débordements.fr, 26 mars 2014

Production :
Revolt Cinema
Photography and editing :
Lech Kowalski
Sound :
Emmanuel Soland
Print contact :
Revolt cinema, kingoutlaw@noos.fr

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