The Arsenal: Communicating international film culture in a lively manner is both the aim and mission of Arsenal – Institute for Film and Video Art. Working at the point where practice and theory come together, the institute comprises a space for thinking outside the box in (film) cultural terms, a cinema whose attention is focused on …
Christophe Pellet Christophe Pellet graduated from La FEMIS in 1991. His films include: Aujourd’hui, rien (72 mn. 2017), Burning Bridges, (34 mn. 2016), Exoplanète, (20 mn. 2013), Seul le feu, (45 mn. 2012), Soixante-trois regards, (50 mn. 2011), Plus dure sera la chute, (10 mn. 2010). Le garçon avec les cheveux dans les yeux, (20 mn. 2008).His texts have been published by Arche Editeur, and staged mainly by …
Simon Liu is from Hong Kong and now lives in Brooklyn. Liu’s films and 16mm projection performances have shown at festivals and with institutions. He is a 2019 Jerome Hill Artist Fellow and a faculty member at the Cooper Union School of Art. Liu is currently in post-production on his first feature film, Staffordshire.
The restorer: Moïra Chappedelaine-Vautier was born in Lorient in 1978. After graduating with a Masters in film studies and technical training with 3is, she began her career in short film and documentary production. In 2006, she stepped behind the camera and made her first documentary in Colombia: Bogotrax, Red Sonante. She continued her career as …
Annouchka de Andrade : Currently director of the Amiens International Film Festival, with over 30 years’ experience in international cultural cooperation, Annouchka de Andrade has worked with a specific focus on cinematographic creation, mainly in Andean countries. Over the past ten years, she has collaborated closely with Sarah Maldoror. Today, she and her sister, Henda, …
African Film Heritage Project: Since 2005/2006, the Cineteca di Bologna has played an active role in conceiving and creating the World Cinema Project, initiated within the framework of the Film Foundation, a non-profit founded by Martin Scorsese and other filmmakers to preserve the world’s film heritage. The project targets great masterpieces from countries whose structures …