35 ANS 35 MM : L’ARGENTIQUE A L’HEURE DU NUMERIQUE

1st part : The reality of digital screening What is at stake in the switchover to the digitial technology that has just been installed in film theatres? Is the Digital Cinema Package (DCP) an opportunity for the exhibition of documentary films and, more broadly, for minority forms of cinematography? What does the future hold for the exhibition of cinema history in cinematheques and elsewhere? A sharing of experiences and a historical perspecrive of digitalisation. 2nd part. Continuing the production and exhibition of celluloid films Exhibition venues, producers, laboratories run by filmmakers, who are sometimes very young… Today there is a “celluloid constellation” of artists who have chosen to work with film and programmers or exhibitors who have decided to show films using this medium. The current situation of these practices, that run counter to the digital tsunami and some attempts to imagine what the future has in store for them.