L’ Amor Fati – Acte 1
My mother says that I was born because Stalin had died. After his death, life could become only better. I was three and a half years old when we left Hungary. I don’t have any memories of that time. My memories start in Brussels. My parents were members of a circle of intellectuals and moderns artists, who were grouped around three Hungarians philosophers: during the era of Stalinism, they could carry on their religious and philosophical investigations only in a close private circle, using debates about mathematics as a code medium. Forty years after our flight, we visit Hungary with my mother, father, sister and brother, seeking the traces of our life before and during the revolution.’ (Sophie Kotanyi)
Née en 1953 en Hongrie. Elle vit en Belgique et en Allemagne. Elle a réalisé :
Portrait en contraste, 1983 – Samys Urlaub in Afrika, 1984 – Lisa Ulmann, 1984 – Dis moi Marie, 1985 – Zwei ganz normale Frauen, 1986 – Mary Wigman, 1986 – Das Bittere Wort Exil : Geduldetes Leben, 1987 – Einklang : Tai-TChi, 1987 – Auf’s Ganze gehen, 1988 – Zeiten freiwilligen Zwangs, 1989 – Djamara Boe, 1992 – Yara Yesso, 1992 – Lieber nach Osten als nach Kanada, 1995 – Amor Fati, 1996
WDR; Floh film; CBA / Centre de l'Audiovisuel à Bruxelles
Sophie Kotanyi; Eva Houdova
Maria Bodmeri
Julia Kundert; Tibor Somogy; Tibor Kopfler