Das ist nur der Anfang, der Kampf geht weiter

May 1968. 8 million French people are on strike. The Sorbonne is occupied, the students are taking up struggles and social debates, challenging traditional institutions.
What was the cinema’s role in this context? How did filmmakers engage in the arena of a cultural policy to be redefined? Film school students, workers from Citroën plants and experienced filmmakers like Jean-Luc Godard take part in the debates.