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A Luz na Ria Formosa

João Botelho
2005 Portugal 52 minutes Portuguese

Meandering among the Milreu Roman ruins, amid the remains of magnificent mosaics, a mother teaches her son the ways of life. She reads to him Seneca’s letter to Lucilius. The stoic advises his friend to read since “Reading breeds intelligence”. Seeing and listening too. This is the guiding principle for mother and son as they journey through the village streets, along the estuary banks, and over the waters of the sea’s inlets. This terrain of apprenticeship is a “protected” strip of land forty kilometres long, where light reigns. “That fleshy light that quivers and stirs like the wings of a cicada”, said the poet Raul Brandao, who was the grandson of fishermen and forerunner of the roman-essai. The almost tangible light of Ria Formosa envelops the encounters and criss-crossing of its living matter.

João Botelho

Cinéaste portugais né en 1949. A réalisé, entre autres :

Conversa acabada, 1981 – Un adieu portugais, 1985 – Este Tempo (1988), Aqui, naTerra, 1993, Treis Palmeiras, 1994 – Trafico, 1998 – Viagem ao Coração do Douro, a Terra Onde Nasci/iW>, 2002 – A Mulher que Acreditava Ser Presidente Dos EUA, 2003 – A Luz na Ria Formosa, 2005 – O Fatalista, 2006

En 2003, son long-métrage La Femme qui croyait être Président des Etats-Unis est présenté en ouverture de la Quinzaine des réalisateurs à Cannes. de Diderot avec Le Fataliste.

Production :
Scuola del Documentario Dropout di Milano; 39 Degraus
Distribution :
39 Degraus
Editing :
Vanessa Pimentel; Renata Sancho
Sound :
Antonio Pedro Figueiredo
Photography :
Inês Carvalho; João Botelho

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