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Les Descendants de la nuit

Christiane Succab-Goldman
1998 France 63 minutes French; Creole

In the Antilles, slavery held sway for two centuries and was only finally abolished on 26th April 1848. One hundred and fifty years after abolition, what memories of this tragedy still remain in the minds of its heirs? The long period of enforced cohabitation between black slaves and white masters has left behind it a plethora of specific signs – a language (Creole), various styles of music (Groka, Biguine, Lewoz…), magical religious practices, different types of social behaviour and an original view of life. The film explores how slavery in the Antilles has produced a close mix of European and African cultures. This crossing, much like an enforced marriage, has met with obvious successes, as well as many gross, unspoken failures. The film’s approach uses the subjective narrative of its author, a black woman born in the Antilles, to confront an inner personal vision with the reality she encounters. It is an intimate rendering, an enquiry into that part of the collective memory which time and a thousand other things have ultimately obscured.

Christiane Succab-Goldman

Est née en Guadeloupe. A partir de 1975, le cinéaste Chris Marker l’initie au cinéma documentaire. Depuis 1985, elle écrit et réalise des films documentaires dont la plupart portent sur les thèmes de la mémoire, de l’histoire antillaise et de la condition noire. Elle collabore également depuis 10 ans aux productions documentaires de la société KSVisions. Elle a réalisé, entre autres : • Contes de cyclones en septembre, 1991 • A Bamako, les femmes sont belles, 1995 • Les descendants de la nuit, 1998 • Fureurs et silences, un conflit social en Martinique, 2000

Production :
Sept Arte; KS Visions
Distribution :
KS Visions
Editing :
Denis Batardière
Sound :
Maguette Sala
Photography :
Olivier Rateau; Pierre Boffety

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