Sur les bords de la caméra

“… The edges of the camera : a secret and artful relationship interwoven into then shots… reveals some of the epoque’s indelible aspects, the stylized and self-caricaturing treatment rendering it even more real… Everything is enacted as if Henri Storck had already foreseen the war. Undoubtely, even as the film gleans something true about those years, it is also a statement about his director, more than he perhaps realised…” “… The film has the magical freshness of the very youth of Cinema.”