Retour à  Forbach

Thirty years after moving out of the family bungalow in Forbach on the Franco-German border, the filmmaker returns to film in his home town, aware of the rise of the Front National in 2014. He criss-crosses the territory of his “shame” with former friends who still live there.

“This is an old mining town in the east of Moselle, in the Lorraine coalfield, on the German border. Through war and annexation, it has at times been part of Germany and at others of France…” But make no mistake about the introduction: this Return is resolutely filmed and written in the first person. It is the return of a local boy, a perpetual outsider in a town that frowned upon his dual parentage (a schoolteacher father born in Lorraine and a pied-noir mother) and his inability to speak the Lorraine dialect. Thirty years after his departure, he realises that his family roots are withering, and that he has not returned to revive them. Here, autobiography serves as a springboard into an enquiry run through by the powerful landscape photography and one pressing question: why did this traditionally working-class town succumb to the siren songs of the Front National in 2014? Former chums who still live in Forbach and a local historian deliver a plural and complex answer. The film brings to the screen “lives that leave no trace” marked by the demise of the coal industry and business relocations, which create fertile ground for racism. Setting out to plunge back into the “hante” (“haunting”), which is in fact the local pronunciation of the French word “honte” (“shame”), Régis Sauder goes beyond the double betrayal – personal and collective – to produce a people’s history of Forbach, which he sees as close to the work of Didier Eribon and Annie Ernaux. (Charlotte Garson)